Only when you are strong enough to look in spite of appearance yourself, analyzing your faults and weaknesses, result you be satisfactory to withstand exploitation. Time and conviction again, conceited people are hurt or broken in because their spirit in their own greatness leaves them blind. Such is the consequence with Hulga, the master(prenominal) character of Flannery OConnors Good Country People. As suggested in the title, OConnor asks the contributor to consider exactly what are the qualities that a comfortably earthly is composed of. Hulga believes she is superior in this category because she is able to carry people for what they truly are and it is her tactual sensation that she is the only aesthesis around that has the ability to do so. However, Hulga is brought to a rude wake up by yet another impostor of a good country person. Â Â Â Â Â Â Â Â Being aware of the worlds vast electric potential for eternal disappointment, Hulga taught hersel f how to reject the physical world, a process by which she was able to devalue aesthetic beauty. OConnor describes this by stating as a kidskin she had sometimes been subject to feelings of shame but facts of life had aloof the last traces of that as a good sawbones scrapes for crab louse (1103).
The analogy of emotions as washstandcer further expresses Hulgas belief that things can only be taken for what they are and that matters of the spunk conk the brain. The rejection, as talked about above, is demonstrated through Hulgas slackness for constitution; sometimes she went for walks but she didnt like do gs or cats or birds or flowers or nature or ! nice bare(a) men. She looked at nice young men as if she could olfaction their unwiseness (1095). It is obvious that Hulga feels this way because things of nature are pleasing and young men are attracted to a beauty... If you want to labor a full essay, order it on our website:
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